Sam Wade
SOME EXCERPTS


THE BALLAD OF JOAN AND BOB
Loosely based off of Bob Dylan and Joan Baez's iconic artistic partnership and love affair, this film tells the story of Bob and Joan, two young artists in New York. Bob is struggling with a family emergency, and distracting himself with a relationship with Joan.
Joan is trying to maintain her individuality, all while being contacted by her former lover, Dylan, who is a world-famous musician. The love triangle unfolds, peaks and fades away as Bob and Joan discover their own artistry and the paths they're on, and what they learned from the brief time they spent together.
THE SUN, WHO LOVES LIKE A MOTHER
This is my debut novel. It is a semi-autbiographical, semi-fictional story that is, at its core, a meditation on death, and how loss can add to the depth of one's living and one's humanity.
Andrew is a jaded young adult, newly graduated from school. His best friend, Arlo, has skyrocketed to newfound fame as a rock star, and left his girlfriend Melody behind without so much as a goodbye. The story is told between the three character's points of view, and is told through dreams, poems, and whispers from other planes; Andrew's mother died a few years back, and Arlo ends up dying the same way his father did. This story explores the ghosts that are left behind, the love that is left behind, the wisdom that is left behind, and the journey Melody and Andrew are left on after Arlo's passing.

CARVER'S PREPARATIONS
This one act play is dedicated to the poet Raymond Carver, who died in 1988. It tells the story of his last few months while dying of cancer, and the final collection of poetry he wrote in this time. Ray has to learn to deal with his imminent death, and the loss of all the important relationships in his life.
I have been a huge fan of Carver's works for a while now. His passing at his young age was a tragedy, and I believe he is one of the greatest writers of our time. This short play includes ten of his poems from this collection. These do not belong to me, and I only hope to prolong the lifespan of his words.
SOME POEMS
ONCE
Walking along, I roll up my sleeves
And let the rest fall away.
I am a ship captain, flying blind
And “time is an ocean, but it ends at the shore”
(said my first-mate, once).
These are my wings, fluttering like the golden specks of god that billow and fall — a symphony — catching bits of heaven on the way down.
My converse too beat up to be anything but happy to still be here
A UPS driver smiles and winks at me as he drives by
A dog chasing after, stuck in the now, with nowhere else to fly
One day, this will all be contained inside a single tear, shed at a song played on the radio (if we’ve fixed the world enough to keep such things around. Sadly, when I look around, I’m not so sure anymore).
But maybe you’ll sit on the top of your car, let the radio blare, the tear falling down to the same ground I once sailed on.
Let the sky swallow you whole like the sea I walk upon.
​
PRAYER IN THE COLD
I press my hands together
to feel the warmth of skin on skin
the chills chanted by the wind
Pervading all my senses
There are, of course, times when the wind gives you blessings
Light, soft, like wings of a butterfly.
Butterfly kisses under the sun, on my blanket. The sandwiches you made. The grass clear and soft.
There are times I wonder if to kiss another body means to be kissed by the body of the world
As if, with the gesture, you invite the gesture:
the love of every flower, fish, bird that flies through our senseless senses.
In this chill:
My bleak, restless mind finds solace in my hands—
The symbols sifting through my fingers as I blow
I feel the coldness of a sharp, shoulder of snow
Uninvited
To process: to be in a boat, on a lake, moving slow
Understanding the way things come and go
Letting your body learn to know
The ebb and flow that swells below
oh-so light
oh-so bright
Chaos melts clear out of our sight
Or conquers the night, without a fight
– for chaos is deemed so only by the struggle against it –
This wild disorder is a primordial force
I have no voice. My throat is hoarse.
I have no will to fight the force. So it holds me in its coarse, warm arms.
We dance a samba, in the snow. I feel myself filled straight from the source.
The snow becomes a fire. It lights my lungs with thick, molten lava.
I expire the fire, and it floats up
A star in the sky
A sight to behold, there for all to watch, glowing in awe.
The fireflies give me kisses. Blessings received.
Thanks be, thanks be.
​
A NIGHT AT THE THEATRE
Standing in the kitchen doorway,
Gasping for air
Clutching his throat
“I could die right now,” he thinks
“Nobody is here to save me.”
It all started that evening at the play
Entering the theater, he saw her name on the program
(and misspelled, too. He wondered if she knew or cared).
He watched her kiss another man,
watched as he undressed her.
Her body, naked, the color of Chinese black tea
soaked in artificial moonlight (coming from just off stage-left).
He missed her body, then, wondering why he ever left her.
Walking home, it all shoots through his mind like bullets:
him, her, the man onstage; his muscled calves,
The words they spoke, the playwright writing them,
The playwright living them;
Great loves found and lost
like children in the park.
Obligation, paralysis,
The first touch, the last touch,
The barrier of touch — a membrane only able to permit being passed through twice, no more, no less.
His behaviors, a bored child, repeating without control,
without thought or consideration.
His loneliness – a parasite
He’s throwing up in the kitchen sink,
Hoping it’s all over, that he’ll never make those mistakes again (he will, but he’ll never have to watch himself live them like that, unless he chooses to go to the theater).
The moonlight, clear, graspable on the oven door
Her painting pinned to the fridge.
The real subject of our story:
The Playwright
Living it all over and over again, in search of another story
to make men throw up in their sinks
​
ORANGE SLICES FOR BREAKFAST
An orange with a little nub on it
rests on the table in front of me.
7:30 AM, my stomach rumbling.
And yet I stare, unmoving, at this small orange friend.
It’s wrinkled, spotted, imperfect
(Like all healthy oranges, like all healthy people)
And it’s happy just to be here,
like myself
on this Wednesday morning
where birds chirp outside, and
February has given us a taste of spring
​
SO
I’m Afraid to be seen
So?
Afraid is a word like any other
It works like a parasite, holding onto that which gives it power
False power, disappearing soon as you
Look at it
a lake fading
Fading into the dirt quickly
Fake, long hair running slickly through your fingers
Then gone
They say to be the wave and the ocean underneath
Afraid to be the secrets that hide in my teeth
It’s hard to imagine a dagger with no sheath
Find solace in the waves, for they will bequeath
More knowledge than paper,
Than principles, rules
More truth than worries, doubts told by fools
A mirror reflecting unto you as you are
A picture from a foreign, heavenly star
Time is a cyclone
Balancing ferociously
With a sharp grasp,
Grabbing precociously
But imagine, for one minute, you can be held. Trust that you can be held.
And carried back to the stars.
​
RED AND BLUE
Her eyes always seemed to be made
of sea glass
Blue (the rarest kind)
A translucent night with
Waves crashing at the walls
Once sharp enough to cut
A child’s foot
Don’t break into shards,
I beg
Don’t hurt me again, for we are
Still those children, approaching
with bare feet, the
rocky terrain, feet as dogs,
leashed to our aging hearts,
pulling us forward onto daggers,
Unknowing.
And yet the waves
dull the glass, wash away the blood,
lap over our aged and wrinkled feet.
Our hands still on fire, alive but
useless. Shaking, pressed together in
Prayer for something not
so delicate, not so difficult
Not so dangerous
As seaglass
​
I have so much work to do but instead I’m thinking about this:
Driving on Grace’s Vespa – moving faster than I ever thought I could. And feeling the illusion of time.
She’s talking about what it felt like to fall in love. Like, before, she was on a boat in the ocean, scared of the water. And then the boat was ripped out from underneath her. Just gone. And she realized she could float – could fly. It took a few tries, some scattered, shallow breaths, lacking the hard, sturdy wood that used to hold her, but also barred the possibility of flying. Of feeling the motion of time underneath you. Reflecting the big blue sky. And suddenly, life becomes what it is. Flowing, like water. Shapeless, formless, evaporating before you realize, like the words she shouts back to me from the front of the bike. The words floating back in the wind, echoing into the past, 45,000 years back to our ancestors carving drawings on cave walls. Remembering what it felt to look at those paintings, me with my blonde hair, wearing the stolen cap and shorts from someone already gone in the grand scheme. Like I was looking in a mirror, through a telescope, seeing someone wave hello from 50,000 years in the future – when the Earth has chewed us up and spit us out (rightly deserved), recreated life anew, and hopefully, this time, they do things right. Looking at the stars and knowing the grass I lay in is the friend I’ve lost. Feeling time shattered like the mirror itself, leaving me awake in a dream, feeling the world keep moving, unsure if I’m left behind or moving with it, or all sides at once– the cave paintings, the painter, the humble traveller, staring at the wall in awe, and the future being, 50,000 years in the future, simply trying to get it right this time.
​​
FENNARIO
Marching towards Fennario hand in hand
Unlatching the Gates (of Eden?)
A flood of yet-unnamed colors
A horse and carriage just for two
Carries us along
A New Path to the Waterfall
Through symphonies and
Mariachi bands
To the beat of the calendar
Our hair grows long
Longer and longer
My beard starts to itch
The carriage marches on
the world expands
Heading towards farewell,
I turn away
Behind me, you smile
Wipe away a tear
tuck a curl behind your ear
hum a little tune,
Gently, sweetly.
I keep moving. Heaven awaits
​